damianwalsh

@tg@indieweb.social @tylersticka@social.lol Reading this gave me one of those lovely, weird little shivers of joy. Wonderful stuff. Thanks for writing and sharing.

@db@social.lol @NicMakesStuff@indieweb.social Now I’ve got a stubborn image of Gary Oldman (as Jackson Lamb from Slow Horses) moodily using Director to cut a CD-ROM loading screen stuck in my head. 😅

@elizayer custom-designed by and for dudes who can’t be wrong but ain’t never been right.

@b0rk Maybe not quite what you asked for, but when I wanted to step away from frameworks and refamiliarise with CSS, I had a lot of fun (and learnt a lot) going back to first principles with colour theory and applying some of that using modern CSS. I wrote it all up a while back in case it’s of interest. https://damianwalsh.co.uk/posts/dynamic-colour-palettes-with-oklch-and-css-custom-properties/ #CSS #colourtheory

@janl@narrativ.es @zachleat@fediverse.zachleat.com Hereafter known as Dangerous Jan Lehnardt.

@dansup@mastodon.social LinkedIn → ? Someone should do that, just sayin’

@matthiasott@mastodon.social Hits the nail squarely on the head. But I can’t help feeling a bit sad the role needs to be paired with another discipline to legitimise it (see also Product Designer). Adding another specialism seems to add to the general confusion and fragmentation. Maybe I’m getting old, but Web/Digital/Interaction Designer used to be reasonably well understood/respected/compensated catch-alls. Businesses could hire for it and know the person would understand the medium they were working with.

@robb@social.lol Not the first to mention it, but “Created by Emily, aged 10.” How cool is that!

@djrrb@mastodon.social Really enjoyed the write-up and the message about doing something fun when you need a reset. The font also reminds me a bit of The Designers Republic, in a good way 👍👍

@sebkln Cool! Love the albums. I’ve been meaning to spin up something along the lines of a travelogue to archive photos, itineraries, and recollections from favourite trips. Nice work!

@lynnandtonic@front-end.social Love the effect you achieved on the tickets. Always a treat checking out your designs in DevTools. I'm not familiar with US venues—is the section/seat/row data for real or decorative?!

@chriskirknielsen No judgement here. My music taste is all over the place. Might have to check those demos out!

@colly@mastodon.social Something similar happened with a Cambridge Audio amp I'd had for 20+ years, but I didn't have the courage to repair it. Couldn't find anyone to do it either. I'm sure repair shops used to be a thing! It got replaced by a new, cheaper one, sadly. Anyway, glad to see this repair job worked out.

@tbaxter Thanks for writing, building and sharing. This is just what I needed to hear today. Keep on keeping on.

@lynnandtonic@front-end.social Amazing. Respect for the extra effort and attention to detail there!

@tylersticka@social.lol @lynnandtonic@front-end.social In the UK, when you buy tickets online, you can get a traditional printed ticket as a "souvenir" for an extra fee, of course. 😬

@developerjustin@mastodon.social @jensimmons@front-end.social Client has a couple of colours and now wants to add more for some reason. OKLCH makes it easy to apply colour theory to select new colours that work in harmony with the existing primary brand colour by adjusting the hue angle. Or they have some tints and shades defined for the primary but not the other colours. Those lightness and saturation (chroma) values from the primary can be applied to the others.

@sy@mastodon.nz At a glance, that graphic appears to show people being pulled into a black hole.

@pawelgrzybek Sorry to hear this—hopefully something better will come along for you very soon.

@chriskirknielsen I really like listening to demos and comparing them with the polished studio versions. You can hear how artists develop ideas and how all the subtle nuances are introduced over time. It’d be great if more artists could share them. I’m not sure whether it’s (understandable) reticence about showing their workings, or something more business-related, but it mostly seems to happen when labels decide to repackage and re-release only the most commercially successful heritage albums.

@chriskirknielsen Versioning is a nice framing. It’s not so much demos are better but that they open a window onto a song’s development. The Beatles Esher demos are a good example. There are several takes of While My Guitar Gently Weeps, where you hear the progression from a basic sketch as instruments are added and the arrangement changes before the final version. Fascinating, at least to me. I wonder if, as more stuff gets generated, artists might share demos as a kind of ‘proof of life’.

Friends, connections—everyone, in fact. It’s difficult to ask, but I could use your help. I’m looking for work. I’m a designer (Interaction/UX/UI) based in Manchester, England with 20+ years of experience. I’m looking for a hands-on IC role, ideally working with decent people, where I can put my design/front-end skills to good use. Open to full-time or contract. Remote, hybrid, or on-site. Leads, advice, and chats very welcome. I’m all ears. Boosts much appreciated. #getfedihired

@hdv@front-end.social Deskilling needs improvement

@eatyourgreens@mastodon.social Sounds like an interesting job. Shame the closing date for applications is tomorrow! Otherwise might have thrown my hat in the ring.