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Callum is also a founding member of Peach Fuzz, Berlin’s Queer collective photo studio. Studio sessions can be booked from 1 hour portrait shoots, up to full day bookings. https://peachfuzzberlin.com/
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Bijou Type
@BijouType@typo.social
mastodon 4.6.9Typefaces by Dan Rhatigan. Awkward shy person in Portland. Type, zines, collections of transfer type and gay magazines. Works at Monotype. Typefaces at http://bijoutype.com
501 Followers
450 Following
25 Posts
Joined November 07, 2022
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@martabernstein@typo.social @fhardwig@mastodon.social There are a handful of things I've seen based on the general concept, but they tend to be blockier and more geometric. The way that 9 is handled is really special. The screen pattern would be rare to find in digital fonts, too: Rig Shaded by Jamie Clark has it, but appleid to a very different style of letter.
Wouldn’t YOU love to explore the glorious (and gloriously organized) collection of type at Tipoteca Italian? YOU CAN! https://www.tipoitalia.net
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RE: @vektorgarten@mastodon.social
Ha! I’ve been using Illustrator for so long, and with so many ingrained habits, that I didn’t rven realize the Shapebuilder tool existed until now.
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@TiroTypeworks @onpaperwings @jesserewing @glennf Second for Lulu. I’ve done a lot with them and have bern very pleased.
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@xotypeco “The wordmark was hand-drawn by graphic designer Aneesh Bhoopathy, a former member of the Queens DSA who is now based in Philadelphia.”
I can only assume followers here know about @onpaperwings@typo.social’s awesome site, but just in case...
Terrific article from the Computer History Museum about the origins of PostScript (and, by extension, Adobe’s role in developing scalable digital type), including a link to ca. 1984 source code: https://computerhistory.org/blog/postscript-a-digital-printing-press/
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@litherland@typo.social @greg@typo.social @commercial@typo.social Ionic Modern is two great tastes that taste great together. Just delicious!
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@vektorgarten Granted, my reflexes to avoid efficiency tools like the Shapebuilder probably come from spending so much time in font editors, which favor precision handling of contours and path directions over ease of use.
Is there anyone going to Fontstand who’d be willing to pick up a book from @dutchstandardalphabets@typo.social and carry it to Berlin for me? I can provide Letraset in return for the favor!
Application for the scholarships is right here: https://docs.google.com/forms/d/e/1FAIpQLScnTUGz2VUpiy5Njv0JJ-Df55SCADmzDeK3LShLKD5SFkNlWA/viewform
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