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Cassana 🍻

@cassana@the-crossroads-inn.com
mastodon 4.7.3
  • Open on the-crossroads-inn.com

Talking life, #music, #ethnomusicology, #history, #linguistics, #science, and throwing in my own brand of humour and randomness whenever I feel like it. Always exploring new, and sometimes strange roads, steered by my curiosity and creativity. #Musician #MultiInstrumentalist
I'm thee owner/admin of the Crossroads Inn. 🍷🍻

1011 Followers
197 Following
50 Posts
Joined October 11, 2023
Language:
I primarily post in english, though may boost toots in other languages or reply in Dutch, German, etc.
Core ethics::
Weaving through a living web of relation (Animism), honouring a world of many worlds (Pluriversalism), and meeting its mysteries with passionate, rebellious joy (Absurdism).
Politics and conflicts::
Although I follow news about current events, politics and conflicts, and have thoughts and concerns, I will rarely talk about these here. Given my global focus, that could easily take over completely. It's not why I'm here.
Open post
Cassana 🍻 @cassana@the-crossroads-inn.com
· 1w ago
I've been working on translating a short Manding song. It talks about an attractive woman whom the singer is in love with. But he keeps interjecting "Apolo.” Now what exactly is a Greco-Roman god or the space programme doing in a West African song? As far as I've been able to find out, it's used as a poetic metaphor. To him, she seems completely out of reach, like going to the moon, but perhaps it can still happen somehow. Apolo! I think that's really awesome! #Ethnomusicology #Language
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 1w ago
When I was studying music, I had a signature sound. That was easy though. I was the only one walking around with a resonator #Guitar, and often down-tuned or in an open tuning. Several days ago I shared some lyrics I wrote some time ago. Here's the moody minimalist guitar part that went with those, as far as I can remember, and yes, I'm playing this on a down-tuned open-tuning resonator. However, slight twist. It's a resonator telecaster with a single P90 in the neck position. A nice beastie!
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 3w ago
Replying to
@funkula@goblin.camp @purplepadma@beige.party There is another instrument with basically the same name. The Euphon, invented by Ernst Chladni in 1791. It never caught on, because Franklin’s glass harmonica was still better in various ways. I sometimes wonder what the euphonium would’ve been called if the euphon had become a thing though.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 3w ago
Replying to
@ChristineMalec@mstdn.ca @rhamphorhynchus@mastodon.nz @funkula@goblin.camp @purplepadma@beige.party As far as I know there aren't many in active use, and very few players. The Glass Orchestra, which is Toronto-based I think, might have one. https://ericcadesky.com/glass-orchestra/ GFI in Massachusetts was the only company building them, but I don't know how active they are nowadays, given that their site still mentions working on 4 models in 2012. https://www.finkenbeiner.com/GLASSHARMONICA.htm Hope that helps!
ericcadesky.com

Glass Orchestra – Eric Cadesky

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 3w ago
Replying to
@rhamphorhynchus@mastodon.nz @funkula@goblin.camp @purplepadma@beige.party 😄
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 3mo ago
Replying to
@benjamingeer@piaille.fr @gimulnautti@mastodon.green First off, amazing story! And yes, I've heard of something like this. In fact, it reminded me a lot of this reply I got on here some time ago. It also reminded me of Sabir, the first Lingua Franca spoken across the Mediterranean (about which I did a mini thread a while back). I don't know if anyone's doing research into this, but I think someone should absolutely look into these shared melodies and associations. Edit: @Virginicus@universeodon.com https://universeodon.com/@Virginicus/115984104979706405
universeodon.com

Virginicus: "@cassana@the-crossroads-inn.com About 40 years ag…" - Universeodon Social Media

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 2mo ago
This is a 27-minute-long video about the Begena, a large Ethiopian lyre and an #Instrument that's heavily intertwined with Ethiopian culture and spirituality. The main focus is around Ermias who founded a workshop and school that manufactures and teaches Begena to the next generation and so keeps the tradition alive. #Music #Ethnomusicology #WorldMusic https://www.youtube.com/watch?v=nAlD9nkJzLc And if you want to read more, here's their website: https://ermiasbegena.com

The Story of Begena | Ethiopia's Sacred Harp & Ermias Begna's Legacy

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 4mo ago

The conch horn is likely the oldest labrophone or lip-reed #instrument. It's used around the world for communication, timekeeping, #Music and social and religious functions. Only medium to large shells can be played like a horn. Smaller ones can be whistles though. Being a tightly-coiled helix, the internal tube is around 3x the shell's length. The sound is resonant and powerful. Here's me playing mine. . #Ethnomusicology #WorldMusic (1/6)

the-crossroads-inn.com

The Crossroads Inn

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 2mo ago
Lucius Apuleius mentions the sistra of the great procession: "aereis et argenteis immo vero aureis etiam sistris argutum tinnitum constrepentes" (bronze, silver, and indeed also golden sistra producing a lively ringing cacophony; The Golden Ass, pt9). Here's a little experimental #Archaeomusicology recording of what that could've sounded like, played on my multitimbral Roman-style sistrum. Only 5 tracks though. It must've truly been a “holy noise” back then. #Music #Ethnomusicology #AncientRome
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 2mo ago
Replying to
@petrnuska@mastodon.world I saw it pop up in my YT subscriptions yesterday. I’ll be watching it later today, so there may be a follow up reply after.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 4mo ago

Went for a nice stroll around the abbey, the ponds and vineyard, featuring geese and at least four goslings, coots with their young, ducks that did a hover and rocket routine in front of my nose over the path, a distant heron doing its statue impression, and what we think was a badger trail. Also songbirds, loads of songbirds. Afterward we went to sit in the courtyard of the abbey, where my dad and I decided to go for the abbey's own beer. Tasty stuff. All in all, a relaxing afternoon.

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 7mo ago

This is Sand, Roots & Blossom by Rihab Azar, a female oud player from Syria.
Fun fact: a Syrian female oud player was the subject of Turkish novelist Fatma Aliye Hanın's 1898 novel Udi, which is based on the true story of Bedia from Aleppo who uses her oud as a means of resistance against patriarchy and the hardships of life. After her father's death and divorcing from her unfaithful husband, her 
oud becomes her “most loyal friend.
#Music #Ethnomusicology #WorldMusic
https://www.youtube.com/watch?v=gzO1bz1x7UA

Sand, Roots & Blossoms by Rihab Azar (official video)

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago

Highlight of the day:
Getting asked at random "could you perhaps play something on that instrument?" Sure! And the next thing you know their jaw is on the floor for the next three minutes. 🤯 My job is done!
FYI, the instrument was the cristal, which admittedly is all kinds of awesome.

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago

This is probably one of my favourite Rast Peşrevs by Refik Fersan (1893-1965), maybe because it's the first one I learnt on turkish ney. A peşrev is an instrumental prelude often consisting of 4 hâne (sections) separated by a teslim, a repeated melody that ties the hâne together. The third hâne usually does the biggest modulation away from the base makam. Here it's played on kemençe, yaylı tanbûr, oud and kanun.
#Music #Ethnomusicology #WorldMusic #Microtonal
https://www.youtube.com/watch?v=fCKPR9htVOY

Rast Methal - Refik Fersan - 20th Century Turkish Music

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@uastronomer “Hi, Genie from the bottle here: You now have extra extra flavour as per your wish. You’re welcome! Please define “rich” net time.”
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 4mo ago

It's been around 30C / 86F for the last few days, and that makes me want to bring the tropical #Music vibes.
This is Manu kiki. No clue what that means, as I don't speak Nakanamanga AKA North Efate or Nguna. It's spoken by around 10,000 people. The song is a modern mix of string band and Pacific choral style, which is a synthesis of long-standing indigenous vocal traditions, colonial European church music and contemporary cultural fusion.
#Ethnomusicology #WorldMusic
https://www.youtube.com/watch?v=z_PXtIsmXa8

Manu kiki 🇻🇺

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago

"What is the only provocation that could bring about the use of nuclear weapons? Nuclear weapons.
What is the priority target for nuclear weapons? Nuclear weapons.
What is the only established defense against nuclear weapons? Nuclear weapons.
How do we prevent the use of nuclear weapons? By threatening to use nuclear weapons.
And we can’t get rid of nuclear weapons, because of nuclear weapons."
- Martin Amis, einstein's Monsters, 1987 #Quote

the-crossroads-inn.com

The Crossroads Inn

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 7mo ago
Replying to
This discovery of palaeolithic protocuneiform is not something Europeans only should be proud of, but all of us. This is a purely human story. A story of creativity and curiosity. (11/12)
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 7mo ago
Replying to
Plus, the concept of whiteness is very very recent and linked to colonialism and scientific attempts at classification, e.g., up to the late-18th century, Asians were considered white: https://yalebooks.yale.edu/2018/08/01/color-codes/#:~:text=Up%20until%20the%20eighteenth%20century,that%20Asians%20were%20“white.” (8/12)
Color Codes - Yale University Press
Yale University Press

Color Codes - Yale University Press

David Scott Kastan— Up until the eighteenth century, Asian people appeared white to European eyes. Sometime early in 1515, a Portuguese merchant named Tomé Pires sent a detailed account of... READ MORE

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@andijah Ah, a case of how to not lead by example. And yep, I’ve stopped watching something like that too. Your recordings are very listenable. I expect organ is pretty tricky to record.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago

Just finished listening to the World roots episode "Festival on the Niger", originally broadcast on 26 Aug 2006 on BBC radio 3, and featuring live #Music by Abdoulaye Diabaté, Neba Solo and Habib Koité, alongside impressions, interviews, etc.
The presenter, Lucy Duran, was a lecturer at SOAS while I was studying #Ethnomusicology there. We've had some truly great conversations. I really should listen to more of these episodes, they're just wonderful. #WorldMusic
https://www.bbc.co.uk/sounds/play/b007g7kn

World Routes - Festival on the Niger - Neba Solo, Abdoulaye Diabate, Habib Koite - BBC Sounds
BBC

World Routes - Festival on the Niger - Neba Solo, Abdoulaye Diabate, Habib Koite - BBC Sounds

Performances from Malian musicians including Neba Solo, Abdoulaye Diabate and Habib Koite.

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago
Replying to
@benjamingeer @jcastroarnaud For me 53TET is home for Turkish makam theory, so there are loads of melodic "modes" in that framework. Eric Ederer's Makam and Beyond is my go-to English language resource. https://www.lulu.com/shop/eric-ederer/makam-and-beyond-a-progressive-approach-to-near-eastern-music-theory/paperback/product-22641466.html?srsltid=AfmBOopE4MoWusXXnbGZVOallqx_SPj7Ifi4Z2vxIRI2rTRAvZauopYZ&page=1&pageSize=4 My friend tolgahan Çoğulu, inventor of the adjustable microtonal guitar and head of the guitar department at ITU, has done 53TET stuff with chords, though he's mainly using 72TET lately. His YT is definitely worth checking though. https://www.youtube.com/@microtonalguitar
Makam and Beyond: a Progressive Approach to Near Eastern Music Theory
Lulu

Makam and Beyond: a Progressive Approach to Near Eastern Music Theory

A comprehensive guide to learning Near Eastern music ("makam") theory, mainly from a Turkish perspective but also including an Eastern Arab understanding of the art.

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 4mo ago

Based on something I just randomly realised:
How many anthems (current or previous, and/or of historic countries) or songs do you know that are based on the same melody as "god save the King?"
Me: 11, I think. And now I need to go find a suitably earwormy earworm to stick in my brain instead.
PS. No, I don’t tend to torture myself in this way regularly nor deliberately.

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 4mo ago
Replying to
@petrnuska@mastodon.world Oh, that takes me back to my performance modules there. I’d love to do something like that, which is obviously right up my alley, but unfortunately I don’t have the right qualifications, plus I’d have to move back to the UK. Thanks for sharing though.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 4mo ago
Replying to
@andijah@brotkru.me Super!
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@alisynthesis@io.waxandleather.com Yep, super cool and versatile. I personally love that I barely have to tune it. I thought my workhorse tele was pretty stable, but nope, this is seriously next level.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@alisynthesis@io.waxandleather.com Lots of good suggestions here. My main concern would be clean staying clean, so good headroom would be a must; probably 10w minimal. I had a similar problem, which I solved by buying an Emerald Virtuo, which is a hybrid hollow-body guitar with a decent acoustic sound, but it’s got both piezo and a Fishman Fluence set on there. The standard model also has a connector for guitar-synths, but mine doesn’t. It’s quite ridiculous in all the right ways.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@EveHasWords@toot.cat @AdaraAstin@supervolcano.angryshark.eu Haven’t tried that myself, but it seems to work just fine in this: https://www.youtube.com/watch?v=0LLqTa4ECx8

Gojira - The Heaviest Banjo of the Universe (ft. Leo Moracchioli)

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@mcmullin@musicians.today I knew this, but it’s still amazing to have access to a resource like that. Some time ago I bought a guitar from Emerald Guitars (from Ireland of course), so I encounter their Book of Kells-style hound logo on the guitar case and my current favourite coffee mug every single day. It hasn’t gotten boring yet.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@uastronomer Wow, tricksy little Jinn that one. I screwed up, so have one wish less. Perhaps not the best trust-regaining move. 🤣 Does it have a label stuck to the base saying something like: “For any complaints or warranty concerns, please visit us (Flying Carpet & Bottled Jinn imporium, since 843) at the main bazar of Madinat al-Salam. Incurred time travel costs not reimbursed.”
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@KaraLG84 I hate the touchscreen craze on audio gear, appliances and everywhere else. Recently my building got a new intercom system, and arg, the interface downstairs is a touchscreen now. Who the hell thought that was a good idea? So far a bunch of people have rung my doorbell by mistake, so it’s apparently weird and not user-friendly on top of inaccessible.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago

That moment you stop in your tracks because you're hearing something that surprises you.
Well, that was me this morning. I walked out of a building and I hear a voice I never expected to hear then and there. Someone was playing some Ma Rainey. I couldn't identify the song, but I've heard the Mother of the #Blues (1886-1939) often enough to recognise her iconic voice. Here's See-see Rider Blues from 1924. #Music #Jazz
https://www.youtube.com/watch?v=7L1hE3Qhv7E

Ma Rainey - See See Rider Blues [1924]

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@RandamuMaki@mstdn.social Yikes… Bland plus poor functionality is even worse. It should be easy to come up with a nice but functional design nowadays, and perhaps in a more neutral colour, but white rectangular blandness. Ugh!
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago

Recently a company updated the intercom system throughout the building. Now It could simply be me, but this thing is just so bland and aesthetically unappealing. It doesn't quite fit. Is this what people call modern minimalism or something? If so, that’s not my style, at all.

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago

When was the last time I shared Tajik #Music? Umm, maybe once a long time ago, maybe not ever.
Anyway… In the category of #GlobalPop, this is Mino feat. Qadami Qurbon with Umirayu. I really love the metric changes. Pop music in 4/4… Pfft! Let's do 11/8, but only in the verses, and do a limping rhythm for the chorus.
#Ethnomusicology #WorldMusic
https://www.youtube.com/watch?v=H1DlUXhr1hE

Mino - Umirayu [ Official Video ] ft. Qadami Qurbon

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago
Replying to
@mosgaard Great stuff. It has some stylistic overlaps with Knower, and I’m a big fan of their mix of live instruments with electronic and getting a bit experimental. https://www.youtube.com/watch?v=zr7MhUwtNus

Overtime (live band sesh)

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Cassana 🍻 @cassana@the-crossroads-inn.com
· 7mo ago
Replying to
@Virginicus I’m assuming it’s a risha, a long strip of plastic, horn, etc. Originally these were eagle quills, and used not just for oud but also medieval lutes. Such long plectrums are held by the entire hand, so that gives you a lot of precision, and because you can choose how much it extends from your fist, you can influence the tone to some extent. Edit: I’ve never dropped a risha, because it’s held like that, but I’ve dropped or launched guitar plectrums across the room/stage 100s of times.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 7mo ago
Replying to
@punishmenthurts Ok, and staying within the theme, that tickled my humorous humerus. 🙂
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 1w ago
Replying to
@dandylover1@someplace.social Just to give you a clearer idea of nail length. Usually they say around 1 to 2mm past the fingertip, but 3 to 5mm for the thumbnail. So not really that crazy long, but perhaps long enough to be a problem as you've described. And that's only on the plucking hand. For the fretting hand the nails should be as short as possible. I play multiple instruments, and the happy medium for me is equal to the fingertip.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 3mo ago
Replying to
@markrprior@ohai.social Tricky, but I’m thinking Luke Plapp for #TrollTips. Merci Mark #CouchPeloton
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 1w ago
Replying to
@dandylover1@someplace.social In the classical guitar world, the discussion about "nails vs no nails" has been raging for ages. The purists will lean "nails" because that results in more volume, dynamic range and clarity. That discussion will probably still be going on next century. Fingerpicks on classical guitar however is a much more straight forward "not done." They get in the way of the tactile feel of the instrument, offer less precise dynamic control, and alter the sound considerably.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago
Replying to
@khomus@the-crossroads-inn.com I swear by the time you’re 80, you’ll sound totally prewar PA Dutch or something. It’s getting worse!
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 7mo ago
Replying to
@mikeHarvison Thanks!
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago
Replying to
@petrnuska@mastodon.world You’ve mentioned that before, but I will always boost a link to it. It’s just amazing stuff. Fun fact, when I visited SOAS for the first time, Lucy gave me a private tour of the music department. It clicked immediately between us. Unsurprisingly I took lectures with her throughout my BA and MMus. She’s a major influence.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago
Replying to
@jcastroarnaud @benjamingeer Excellent. And you’re welcome. If you’ve got further questions, a paperback isn’t an accessible format for you, or somehow can’t order (silly high shipping costs for example), let me know. I’ve got a PDF here I’m willing to share if necessary. Eric even stated in the book: “All rights reserved, though “fair use” is encouraged.”
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 1w ago
Replying to
@dandylover1@someplace.social I would advise finding a competent classical guitar teacher near you. Books are a very limited medium for learning classical guitar up to a good level, and you’ll encounter issues along the way that a book cannot help with, like correcting thumb position, working on coordinating left and right hands, orienting on and moving across the fretboard smoothly, playing out of various positions and which notes are where within these, specifics about nail shape and care, etc. etc.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 5mo ago
Replying to
@menelion there's of course a big question whether public health supersedes personal liberty. Tobacco is the easy one, as it's clearly harmful to everyone, but it might set a precedence. I think it's a slippery slope. Albert Camus wrote "Utopia replaces God by the future. Then it proceeds to identify the future with ethics; the only values are those which serve this particular future. For that reason Utopias have almost always been coercive and authoritarian."
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 6mo ago
Replying to
@d10c@hachyderm.io From a purely western 12TET music theory angle I'd say piano/keyboard, just because it visually represents the tonal system of naturals and sharps/flats without any irregularities, and it's easy to explore both melodic and harmonic ideas. I've found people struggle way more with naming notes on guitar. Middle C or C4? On piano, there's no ambiguity whatsoever, but it exists 5 times on a guitar fretboard with 21-24 frets.
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Cassana 🍻 @cassana@the-crossroads-inn.com
· 2mo ago
Replying to
@petrnuska@mastodon.world Interesting talk and discussion on the project and its challenges. Regarding data acquisition for guitar, how does the technology you’ve implemented pick up on muting? Sometimes a finger mutes a string by itself but might look like it’s fretting a note instead, and sometimes one finger frets one note and mutes an adjacent string at the same time. Of course, the muted string won’t sound, so it shouldn’t show up, but crossreferencing that sounds time consuming.
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