Drew Mochak
👨🏻🦯🇺🇸 Once Alaskan/bay area hippy, current southerner. I use AI to make games playable by the blind. Can almost say "vibe coder" without shame. Former Google, WhatsApp accessibility grand poobah. Reformed podcaster. Content producer and voice actor. Twitch streamer. I beat The Last Of Us on grounded with the screen off! Writer, drummer, vocalist,... and a snappy dresser.
I've been going eighteen rounds with Claude getting it to reverse engineer this thing. The main sticking point is that it will ask me to debug something from a live session, I'll bring it up, it will say that its instrumentation is wrong and fix it, then ask me to rerun the test. This sounds fine on the surface, the problem is it never checks what it already has on disk unless I prompt it to, it jumps straight to disassembly with hand-rolled tools rather than just searching the internet. Then, rather than take the result of the probe and do something with it, it fixates on writing the perfect test for a question it already answered. It is very stubborn about doing this. It finally gave me an explanation as to why:
Each time a probe fails, fixing it feels like progress — the bug is concrete and I can see it.
Led Zeppelin - Live Aid 1985 - Full Show - 4K AI Enhanced
Kayleigh McEnany: Hollywood liberals are desperate for a 'do-over'
MAJOR TO MINOR: What Does "Every Breath You Take" Sound Like in a Minor Key? (Police Cover)
Rather than gating or using Strip Silence, Dave employs multiband downward expansion (using FabFilter’s Pro‑MB) to great effect. This first involves generating MIDI notes for all snare and tom hits. These are then sent to the side‑chain input of the multiband expander. He typically divides the frequency spectrum into four bands. A fast release setting is applied to the uppermost frequency zone, thereby pulling down the accompanying cymbal spill the fastest, with the release time getting progressively longer in the lower zones. Dave Otero makes clever use of multiband expansion to minimise the impact of cymbal spill on the drum close mics.
Or you could just... gate it out?