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Jeremy Erwin

@theheatwarps@heads.social
mastodon 4.7.3
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Electric Miles enthusiast + excavator of high-altitude spiritual jams

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16 Posts
Joined November 22, 2022
The Heat Warps:
https://theheatwarps.com/
Prairiewolf:
https://prairiewolfmusic.bandcamp.com/
Location:
Colorado
Open post
Jeremy Erwin @theheatwarps@heads.social
· 20mo ago

50 years ago tonight, the Miles Davis septet launched a 3-week tour of Japan in its capital city. The first of 2 nights in Tokyo was recorded for radio broadcast, and the tape is a true gem of the electric era. Heady and remarkably tight, the music from 1/22 is a bold introduction to the weird, beautiful universe the band would construct in Japan then all but abandon at the tour’s end. #jazz #MilesDavis

https://theheatwarps.com/2022/04/21/1-22-23-1975-tokyo/

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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago
Replying to
The gigs that followed were often great but Miles never returned to this peak as a performer or bandleader - retreating from the stage 8 months later into years of heavy drug abuse, paranoia, darkness. The man knew his work was done, so he split. Give these albums your time and play em loud. Any version will do but the 1996 and 2000/2001 Japanese CDs feat the unedited shows with several min of excised ambient soundscapes. Here’s the extended disc 2 of Agharta for ref: https://youtu.be/Hm4YcJQXIV8?si=D6bvZ7zu6ketjQsx
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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago

50 years ago tonight, the Miles Davis septet began a 4-night run at the Troubadour in West Hollywood.

The date of the wooly audience tape is unspecified but the vibe is INTENSE, with the band exploring the abstract psychedelia they’d bring to concert halls across Japan in the following weeks. https://theheatwarps.com/2022/04/14/1975-troubadour/

1.17-19.1975 Troubadour
the Heat Warps

1.17-19.1975 Troubadour

Following a three-night run at San Francisco’s Keystone Korner, the Miles Davis septet high-tailed it down to Los Angeles for four nights at the Troubadour in West Hollywood – a week&#8…

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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago
Replying to
The aud captures a show that’s remarkably dialed in and sinister well into the second set (“For Dave” is a tour highlight here) until the band briefly stumbles and bassist Michael Henderson takes the reins. The final ~25 minutes are filthy cosmic slop and the crowd is INTO IT, drawing out the 10-min percussion finale with some playful call & response. A rager. https://youtu.be/3y2VRjS8ynU?si=YO-oAMcy9k5lKdp7
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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago
Replying to
All told, this was a remarkable tour - a high water mark of the electric era and, unless you dig what he got up to following his 1980 re-emergence, the final stunner in the career of Miles Davis. I shared my rundown of the tour’s ins n’ outs at AD a couple weeks back. https://aquariumdrunkard.com/2025/01/28/agharta-deluxe-live-miles-in-japan-1975/
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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago
Replying to
And contributed a tour-spanning mixtape that’ll tear your ass UP https://aquariumdrunkard.com/2025/02/05/pangaea-deluxe-live-miles-in-japan-1975-mixtape/
aquariumdrunkard.com
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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago

50 years ago tonight, Miles + crew return to Tokyo to close an 11-date tour with a final blast of gigs. 🇯🇵

The 2/7 tape is a stone classic: tightly wound and more than a little frantic, as though the band were trying to cram a tour’s worth of peaks into 2 sets. “Ife” is a brief but potent dose and “Turnaroundphrase” > “Tune in 5 (w/“Willie Nelson” tease) is an easy tour highlight.

https://theheatwarps.com/2022/05/13/2-7-8-1975-tokyo/

theheatwarps.com
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Jeremy Erwin @theheatwarps@heads.social
· 21mo ago

We’re back on the electric Miles journey through mid-summer, celebrating the 50th anniversary of every ultra-freaky 1975 tape as they happened.

There’s been barely a peep from official channels to commemorate Miles’ finest hour, so we’re taking the reins, motherfuckers.

From: @theheatwarps@heads.social
@theheatwarps@heads.social

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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago
Replying to
To sweeten the pot, a reader shared their homemade matrix mix (aud + sbd), which I’ve linked to in the post. However you listen, this one’s essential. The evening show’s a rough ride fidelity-wise but worth the investment. Miles is in astonishing form from end to end (boundless energy, this guy) and the 24-minute “Right Off” is proof - the “So What” tease on organ is a sure sign the boss was feelin’ it - and the band weaves into and out of “Yesternow” mid tune for a slick Jack Johnson medley.
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Jeremy Erwin @theheatwarps@heads.social
· 20mo ago

50 years ago tonight: night 2 in Tokyo gets weird. The septet opens with a sprawling “Ife” that touches the edge of the cosmos and ends the night with 11 minutes of textural drum machine, howling feedback, and punishing synth noise. The aud tape is sonic pudding but suits the chaotic vibe.

The band returned to the scene of the crime (Tokyo’s Shinjuku Kosei Nenkin Hall) to close the tour 15 nights later. Odd itinerary but I guess times were different. #jazz #milesdavis https://theheatwarps.com/2022/04/21/1-22-23-1975-tokyo/

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Jeremy Erwin @theheatwarps@heads.social
· 21mo ago
Replying to
@alisynthesis I often wonder that with these electric Miles tapes. One thing’s for certain: it was LOUD!
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Jeremy Erwin @theheatwarps@heads.social
· 21mo ago
Replying to
Though less than a couple months removed from the last tape of 1974, the band has clearly began a shift toward new, headier terrain. It’s a murky document but a rewarding one, and it features my favorite bit of chatter right at the outset. Miles: (unleashes a demonic cluster of notes on combo organ) Voice near taper: “That’s a D major chord with a minor 6th, and you know what … it can clear out a room.” https://youtu.be/NTH0N3h3Xzg?si=Mql2pvhaQ3uNRwAt
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