heikki
Designer-in-residence (2025–26) at the Centre for Text Margins.
tool making | glyph drawing club | modular type design | type pictures | type ornaments | ascii art | textmode | text art | pictorial typography
Working on a new editor (again)! This one simulates letterpress where you make digital layouts with cut-outs from old scanned type specimens, all in type size so the images could be recreated in with real type on real letterpress! It supports all point sizes and shapes, so it's not restricted to square shapes.
This image is made with ornaments from the 1880 Fonderie typographique Gustave Mayeur type specimen, using type ornament I call "ivy combination".
Welcome to Tekstin talo (in Helsinki) on Monday 25.5. at 18:00 to a joint talk & performance by me and @adelfaure@mastodon.art
The talk will focus on how ASCII art can act as a theoretical & practical foundation for two completely different yet strikingly similar design practices of me and Adel.
In February I had the pleasure of hosting a one-week **Unconventional Graphic Design Tools** workshop at the Institute Digital Communication Environments, HGK FHNW during the Fasnacht carnival in Basel.
The question asked at workshop was: could one be a graphic designer WITHOUT Adobe Software? The participants had a week to produce two spreads for a collective zine, using anything but Adobe tools. The zine is printed with a risograph by the students.
Here's some of them, but the full zine (64 pages) and description of tools used can be found here:
https://tekstien-marginaalien-keskus.aalto.fi/residenssi/heikki/blog/006-february-2/
My new visual poetry and experimental typography tool is out now in beta! It lets you drop letters on a canvas with collision detection.
https://hlnet.neocities.org/il-verse/
Let me know what you think!
Added animation, timelapse and red color today!
Good progress on my experimental web-based font editor! I'll publish a beta online soon.
Some features:
— Design type & typeset at the same time
— Pixel (PNG), vector (SVG), and font (OTF) exports
— Specialized in single stroke vector fonts (OTF export just reverses the paths and closes them)
— Two curves not found in any other program (afaik): polycentric arcs and g-conics (rational beziérs)
The UI still needs work!
Working on a new autokerning script.
It's based on a simple idea: fit glyphs as close to each other as possible based on the actual vector shape, so they're just about touching, but don't collide. Then add tracking.
But, depending on the desired effect, this can create too much overlap in combinations like "C-" where the dash would go completely inside the C shape. This is fixed by add a big bounding box that's some percentage of the original shape, and acts as a minimum bounding box size. This works quite nicely, so that combinations like AT, LY, etc. are not overkerned.
Here's debug images showing how the collision is actually detected. I parse the SVG path and create a binary tree of bounding boxes based on it. Then just do simple rectangle collision checks.
@DerGuteAlteHerrSchwarz@freiburg.social
More like 1960s, my direct inspiration for this was Hershey fonts & formats (https://archive.org/details/hershey-calligraphy_for_computers/)